• Home
  • About Bruce
    • Bruce's Reading List
    • What Inspires Bruce?
    • Trombone Teaching Concepts
  • Media
    • Downloads
    • Gallery
    • Links
  • A-State Trombones
  • Carroll Faske Memorial Scholarship
FASKEMUSIC.COM

END-OF-YEAR THOUGHTS TO MY STUDENTS

5/8/2014

1 Comment

 
This post is for my students at Southeastern Oklahoma State University, but I believe that the materials presented here transcend the city limits of Durant to music students all over.  After some deliberation, I have chosen to pose a series of thought-provoking questions.  Remember - you are all wonderful people, but we all have room for growth!  If you feel that a particular question or statement speaks directly to you, choose to accept it as constructive criticism on your path towards your goals.   Improvement begins in 3.....2....1....
Consider the weekly lesson as a "pit stop" on the road to successful performances, rather than a destination or end-point.  If that is too vague of a concept, consider each weekly lesson as a "pit stop" on the road towards your jury performance at the end of the semester.

I believe that many musicians need to redefine "practice."  Many musicians spend this time entertaining themselves with things that they already play well, rather than focusing on what they do not play well.  There is a time to chalk up multiple reps of the entire piece, but that should ONLY come after true mastery of every note in the passage.  Practicing something that you play sloppily at tempo only engrains the sloppiness deeper!  Take your time, dig in, and even if you only fix one measure in half an hour from time to time, you can come away satisfied knowing that you have made a difference in your playing.

Stack successes on top of successes.  If your teacher pats you on the back and says 'Good lesson!', then you should duplicate that work ethic each week thereafter.  Compare that pat on the back with the disappointed sigh, and ask yourself which one you would rather hear each week.  :)

Being a musician is more than playing the instrument.   This takes on many forms:

  • Be curious!  Explore!  If you hear a really cool sounding chord progression on a movie soundtrack, don't wait for someone to tell you what it is.  Find a recording, sit down at the piano, and figure it out!  Sometimes reconstruction is a more effective teacher than learning to do it the "right" way.  
  • Learn the history of your instrument.  There is a rich heritage for each instrument, regardless of how long it has been in the symphony orchestra.  The pioneers of days past have paved the road for you, and you owe it to them (and yourself) to keep their memory and hard work alive for future generations.
  • Develop a keen ear.  Go to www.musictheory.net and check out the ear training exercises there.  If you have trouble hearing a particular interval, get in the practice room and sit at the piano until it sticks.  This goes beyond intervals and chords, too.  Develop an ear for timbre, balance, blend, and style.
  • Take stock of your listening diet.  Could you listen to a piece of music and determine where on the music timeline it belongs?  Could you narrow down the possible composer list down to two or three options, or even better, confidently know the composer of the work?  Generally speaking, I don't think that students listen to enough of the music they are studying.  The summer is a WONDERFUL time to start a new habit.  Choose a composer you have been interested in, but never took the time to listen to.  Search about them on Wikipedia or some other source, and find their composition lists.  

When was the last time you stepped out of your comfort zone?  Step out of your comfort zone in some way, each day.  I am not suggesting that you do something crazy like climb the Himalayas, but if you are terrified of performing in front of a particular faculty member, seek them out and ask for an opportunity to play for them.  Speaking for each of my brass colleagues at Southeastern, I know for a fact that they would love to listen to you!  Do you want to paint?  Find an art class and take it.  Do you want to ask someone out on a date?  Ask!  You never know what the answer might be.

Get in the habit of not generating excuses for each shortcoming.  Sometimes, it is best to simply own up to it, take your lumps, and move forward.  From time to time, traffic happens.  From time to time, alarm clocks don't go off.  Learn from the mistake by leaving earlier, double-checking your clock, or even better, setting it up across the room to force yourself out of bed to turn it off.  When you have graduated and enter the workforce, your principal or personnel director won't care about your reasons, and neither should I!

Unless a professor tells you otherwise, assume that all university teachers demand to be called by their title.  That means "Mr./Mrs./Ms or Doctor ______________."  If one teacher prefers to be called by their first name, that is fine...but it does not apply to all teachers.

Play with passion!  We do this because we love it.  If you don't love it, go find whatever it is that you love, and embrace it whole-heartedly!

When the day is done, put the horn in the case and go have fun.  Play as hard as you work, and realize that everyone needs time for rest and relaxation.  Reward yourself when you deserve it.

Remember, you are all wonderful people, and I care about each of you a great deal.  Take these suggestions seriously, and use the summer to start working on them.  You'll be glad you did.  :)

As always, I welcome your comments below!   
1 Comment
Kristal Faithauer Maris
6/15/2014 04:35:32 pm

Hello Dr. Faske,
Do not know if you remember me or not? We graduated from BHS together.
I stumbled across this and wanted to say thank you. My 14 year old step-daughter plays the Bassoon...imagine that. She works so hard. Practices daily, but I don't feel she practices effectively. I know she struggles and in the world of tough competitors, she easily gets discouraged. Her private lesson teacher seems very knowledgeable in his craft on the Bassoon, his Masters Degree seems to be well deserved, however, I know that one, 30 minute lesson a week can only do so much. Her daily practicing is where the learning and improving takes place.
I've tried to find the words to help encourage her and direct her. This will help I believe. You know how teenagers are, sometimes it just clicks once they hear it from someone else.
Again, thank you for writing this. I have Faith it will have some impact on Stephanie.
Hope you are well.
Best Regards!
Kristal

Reply

Your comment will be posted after it is approved.


Leave a Reply.

    Archives

    July 2019
    November 2018
    May 2018
    January 2018
    June 2017
    October 2016
    September 2016
    April 2016
    March 2016
    December 2015
    November 2015
    October 2015
    May 2015
    February 2015
    January 2015
    September 2014
    June 2014
    May 2014
    April 2014
    March 2014
    February 2014
    January 2014
    October 2013
    August 2013
    July 2013
    June 2013
    May 2013
    January 2013
    September 2012
    August 2012

    Categories

    All
    Arkansas State
    Bordogni
    Chamber Music
    College Music
    Commissions
    Derek Holden
    Dowork
    Equipment
    Frank Gulino
    Fundamentals
    Mouthpiece Buzzing
    Music Degree
    Music Major
    Music Performance
    Phrasing
    Practicing
    Punctuality
    Recordings
    Sing
    Sosu
    Trombone
    University Of Alabama School Of Music

    RSS Feed

©2020 Bruce Faske. All Rights Reserved.
Reproduction of any of the materials found within faskemusic.com, regardless of media type, is strictly prohibited. Exceptions will be noted.
  • Home
  • About Bruce
    • Bruce's Reading List
    • What Inspires Bruce?
    • Trombone Teaching Concepts
  • Media
    • Downloads
    • Gallery
    • Links
  • A-State Trombones
  • Carroll Faske Memorial Scholarship